The concept for this performance and office space revolves around the history and action of quilting, aiming to stitch Tom Tom Magazine into the history of music, media, and  feminism. By using a grid as an underlay I developed a floor plan and wall layout that creates natural movement through the space. The tessellated structure which forms the  backdrop of the performance area, as well as the pattern  running throughout the space, is meant to evoke the feeling of a quilt, situating and stitching all the spaces together into one cohesive whole.

Conceptual project completed during second year at Pratt Institute